Search Details

Word: wilber (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...MAJOR EVENT in the evolution of consciousness is the publication by a major publishing house of Ken Wilber's latest book, Up From Eden. That no one except the left-field journals like New Age and Mother Jones have reviewed this book shows how much trans-personal psychology--the study of consciousness--has to go in this country before it assumes its place as the field in social sciences...

Author: By Martin S. Barnett, | Title: Explaining the Universe | 5/14/1982 | See Source »

...smaller roles, Richard Grusin and Shirley Wilber also deliver telling, pungent performances. Seen most recently as Zoditch in the A.R.T. production of Journey of the Fifth Horse. Grusin demonstrates here his ability to play a balding, affected, overweight Hollywood producer as well as a sour old reader in a 19th-century Russian publishing house. As the mother, Wilbur is appropriately fussy and matronly: Her high nasal whine sounds very good...

Author: By Deborah K. Holmes, | Title: True Shepard | 4/21/1982 | See Source »

...GREATEST disappointment in the cast is Shirley Wilber as Mrs. Plumm, the house mother of a Mount Holyoke dormitory. It seems impossible to reconcile Wilber's outstanding performances in other Harvard productions (such as the Nurse in Romeo and Juliet) with her tentative acting here...

Author: By Alan Cooperman, | Title: Not Just Folks | 11/19/1980 | See Source »

...script is strong: situational comedy. The first act drags a bit, but both second and third build to those frenzied, crowded scenes into which Kaufman is always tossing one more character. Both Cantor and Sam Samuels as Wolfe, the family's agent, have a knack for comic timing, and Wilber drops off-hand insults like time-bombs. Jeffrey Horwitz and Mario Aieta, as the men in the actress's lives who are forever barred from understanding their calling, receive no help from the script, and achieve correspondingly little success...

Author: By Scott A. Rosenberg, | Title: Family Entertainment | 12/4/1979 | See Source »

...LESS PASSIVE director might have chosen to make more of The Royal Family; in this production, nothing transcends simple comedy except Fanny's Act II monologue--a magical evocation of the scene backstage before curtain time, which Wilber uses to cast a spell over the house. In this case, passivity unintentionally pays off--the Loeb Royal Family doesn't pin any more significance on the slightly dated script than it can support. Three hours of good comedy remain, without any mirror tricks but without too much pretense, as well...

Author: By Scott A. Rosenberg, | Title: Family Entertainment | 12/4/1979 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | Next