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...younger Damon generationally as well as geographically from his handlers, but mainly because Greengrass and cinematographer Oliver Wood are going for a verismo feel. The director, who last year did the excellent docudrama United 93, has defined his Bourne location work as guerrilla filmmaking - using concealed cameras in "wild" situations - and he overuses the hand-held shaky-cam to shout, visually, that this is all real, man! "You couldn't make this stuff up," Glenn's chracter wrily observes, as if the audience doesn't know it's watching a spy thriller...

Author: /time Magazine | Title: The Bourne Ultimatum: A Macho Fantasy | 8/2/2007 | See Source »

Children's-Lit Girls Gone Wild...

Author: /time Magazine | Title: Dashboard: Aug. 13, 2007 | 8/2/2007 | See Source »

WOODY ALLEN: I agree. For me it was Wild Strawberries. Then The Seventh Seal and The Magician. We knew that Bergman was a magical filmmaker. There had never been anything like it, this combination of intellectual, artist and film technician...

Author: /time Magazine | Title: Woman, Man, Death, God | 8/2/2007 | See Source »

...Seventh Seal, Wild Strawberries, The Magician, Cries and Whispers and Persona...

Author: /time Magazine | Title: Woman, Man, Death, God | 8/2/2007 | See Source »

...stakes poker in an over-the-top Las Vegas hotel to improve a Third World country. The contradictions abound, but these are people who don't mind being unconventional. By the same token, they don't consider themselves gamblers. That's the greater irony. Las Vegas was built on wild, exposed, highly leveraged directional bets. I'm not sure many of the hedgies would have been comfortable with such risky trades...

Author: /time Magazine | Title: Hedge Fund Confidential | 8/2/2007 | See Source »

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