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Emily Dickinson's poetry is great partially because she wrote in an uninhibited manner, solely for herself, Thornton Wilder, Charles Eliot Norton Professor of Poetry, said last night in the third of a series of lectures on "The American Characteristics of Classical American Literature...

Author: NO WRITER ATTRIBUTED | Title: Wilder Speaks on Emily Dickinson | 11/30/1950 | See Source »

...Thornton Wilder will deliver his third Charles Eliot Norton lecture at 8 p.m. tonight at the New Lecture Hall. The playwright will discuss poetess Emily Dickinson in a lecture entitled: "Emily Dickinson or the Articulate Inarticulate...

Author: NO WRITER ATTRIBUTED | Title: Wilder Talks Tonight | 11/29/1950 | See Source »

...Wilder's two previous lectures on American culture have attracted over-flow audiences at the New Lecture Hall. The playwright's final talk will be delivered on December 6 on the subject "Walt Whitman and the American Loneliness...

Author: NO WRITER ATTRIBUTED | Title: Wilder Talks Tonight | 11/29/1950 | See Source »

...life from an armchair, declared Playwright Thornton (The Skin of Our Teeth) Wilder, at Harvard for a few lectures. "I want to be exposed to the full shock-and-countershock of life. I don't want to be spared or saved from anyone or anything...

Author: /time Magazine | Title: People: Work & Play | 11/20/1950 | See Source »

...Wilder's play is a phantasmagoria of history, based specifically on the Bible and classical mythology. The informal structure of the play is sometimes an asset and sometimes a liability to the Dramatic Club's production. It has given the Club freedon in adapting the play to the cavernous inadequacy of Sanders Theatre, and it excuses a good deal of technical imperfection. At the same time, rehearsed "spontaneity" seldom convinces in amateur productions...

Author: By Stephen O. Saxe, | Title: THE PLAYGOER | 11/16/1950 | See Source »

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