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...valve. "What," asked perplexed Critic Edmund Wilson, "is Mr. De Voto's real grievance? This indignation at other people's errors which seems to prevent him from stating his own case, this continual boiling up about other people's wild statements which stimulates him to even wilder statements of his own. . . ." Critic Wilson Follett, who praised De Voto as a "gadfly to all manner of intellectual softies," hinted that he had outgrown his controversial gift, suggested it was time for him to quit, that he might now write "a superb work of the imagination on the scale...

Author: /time Magazine | Title: BOOKS: Angry Editor | 3/14/1938 | See Source »

...Town. Thornton Wilder's warm study of Everytown, played without scenery (TIME...

Author: /time Magazine | Title: The Theatre: Best Plays in Manhattan | 3/7/1938 | See Source »

...exchange for Southwell, Jacob P. Den Hartog, associate professor of Applied Mechanics will lecture at Oxford during that half-year. At the same time leave of absence has been given to Hans Zinsser, Charles Wilder Professor of Bacteriology and Immunology, from March 1 to June 1, 1938 to go to the Peiping Medical College, while Mason Hammond, assistant professor of History and of Greek and Latin will study at the American Academy in Rome...

Author: NO WRITER ATTRIBUTED | Title: UNIVERSITY APPOINTS NEW FACULTY MEMBERS | 3/7/1938 | See Source »

...plot of Our Town centres in a bashful boy-and-girl romance, but the general theme is more properly the chores and pleasures of Grover Corners as a whole. Without solemnity. Wilder seeks to transform the commonplaces of village life into the verities of human existence. Using fibred dialogue and lucid pantomime, for two acts he catches the fumbling wonderment of ordinary people, cakes their life with humor, charges it with feeling. The emotional climate is exactly right: warm...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Feb. 14, 1938 | 2/14/1938 | See Source »

...hand a mass of huddled wet umbrellas evoke a funeral. The dead girl comes to join the other dead. But she still yearns for the living. Permitted to return among them, she sees how blindly they grope through life, comes back to the cemetery eager to forget. Living people, Wilder seems to say, miss most of experience; only the dead get down to essences. But this moral needs no such circuitous statement, should not be interwoven with all the mysticism and high-flown speculation that Wilder insists on adding. A good playwright when he deals with living people...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Feb. 14, 1938 | 2/14/1938 | See Source »

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