Word: wilderness
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Dates: during 1960-1969
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...echoes sometimes blend into a solid chorus, credit must be divided between Director Gene Kelly and his choreographer, Michael Kidd. Ernest Lehman's script is based on the Broadway musical (which was based on Thornton Wilder's farce The Matchmaker). It is woven from a solitary yarn. Matchmaker Dolly Levi sets great store by Horace Vandergelder's feed and grain store and decides to snare him for her own. She does. Curtain. In between their coy runaround, tiny complications arise. None of them matter, but several are the premises for blithe and sumptuous dance numbers. The most...
Many adult Americans were shocked by the most obvious manifestations of the new romanticism-nudity, casual sex, obscenity, absurd dress, confrontation tactics. These were, of course, intended to shock. In describing some of his wilder contemporaries, Françoise René de Châteaubriand might have been talking about Abbie Hoffman or Jerry Rubin when they confronted a House Un-American Activities subcommittee: "They rig themselves up as comic sketches, as grotesques, as caricatures. Some of them wear frightful mustaches; one would suppose that they are going forth to conquer the world." The heroes upon whom the romantics model...
...today: Can Laugh-In's Goldie Hawn really act? Yes, she can, and so can Walter Matthau and Ingrid Bergman. With that kind of cast, a Sears, Roebuck catalogue could serve as a script, and Cactus Flower is far more than that. Director Gene Saks is no Billy Wilder, but Wilder's collaborator I.A.L. Diamond (Some Like It Hot, The Apartment) is still I.A.L. Diamond, and he knows funny lines when he writes them. Ornamenting Abe Burrows' stage hit (itself an adaptation of a French farce), Diamond outfits his confident cast with a situation as pretested...
...even the high professionalism of his Broadway production can disguise the fact that Thornton Wilder's Our Town was, is and always will be a humanities lecture with visual aids. The principal aids are the characters, who, ike the tables and chairs on the otherwise barren set, are deployed in a series of vignettes by the Stage Manager. His is the unenviable job of trying to be a Greek chorus to just folks. The lecture part of the play stresses the importance of the familiar things of life, and that each day should be savored as if it were...
...Affair of Honor, Wilder...