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Other styles have been wispier (the Char), wilder (the Afro), more exaggerated (the Artichoke) and harder to maintain (the Poodle). But until now, women had not seriously considered a hairdo based on a multitude of lengths, from very short on top, to slightly longer along the sides, to a long, lank finale down the neck. They never considered it for good reason: it was sure to look abominable. But then so do midiskirts. And with hems gone to ungainly lengths, why not hair too? What better way to play both ends against the mini...

Author: /time Magazine | Title: Modern Living: Going Ape | 10/5/1970 | See Source »

Hollywood has caught up at last. Wilder, 35, has lately been besieged with scripts and has sifted through them with his own brand of mad logic. What sort of actor would turn down a tempting offer from Mike Nichols to play in Catch-22, but accept the lead role as a Dublin manure spreader in a film improbably titled Quackser Fortune Has a Cousin in The Bronx? To everyone's good fortune (especially his own), Wilder did just that. Says he: "Quackser was the idealization of everything I've wanted to do as an actor. He typifies where...

Author: /time Magazine | Title: Show Business: The Happy Peasant | 7/20/1970 | See Source »

With his wayward orange mane and glazed fish-green eyes. Gene Wilder conveys a beguiling look of incipient madness. In his films to date he has seemed always on the verge of lurching into some marvelously insane enterprise. For a time he worried about becoming typecast as Hollywood's favorite neurasthenic comedian. "There was always a reservoir of hysteria in me that I could call upon as an actor," says Wilder. "As I grew out of it, I became more and more dissatisfied with the parts I was playing. But Hollywood, of course, couldn't keep up with...

Author: /time Magazine | Title: Show Business: The Happy Peasant | 7/20/1970 | See Source »

Quackser is an urban savage who prefers shoveling horse manure from the streets of Dublin and spreading it on ladies' flowers to working in the foundry with his father. Without Wilder's protean talents, the film could have been absurd: an upper-middle-class American girl studying at Trinity College (Margot Kidder) nearly runs Quackser over in an MG but winds up taking him to her farewell dance and ultimately to bed. Wilder makes the affair believable by investing his role with an appealing integrity as well as sexual overtones; he himself added two scenes early...

Author: /time Magazine | Title: Show Business: The Happy Peasant | 7/20/1970 | See Source »

Finally, do you know where Larry Parks? Is Ann Sothern? Is Dame May Whitty? Is Cornel Wilde? Isn't Billy Wilder? Is Teresa Wright? What did Keenan Wynn? Isn't Loretta Young...

Author: /time Magazine | Title: Letters: Jul. 6, 1970 | 7/6/1970 | See Source »

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