Word: wilding
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Dates: during 1970-1979
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...inspects the set, a marvelous concoction by Joan Ferenchak, draped with a Brechtian-type banner reading "Figaro," and helps to roll out a rug. "These are two remarkable plays," Havergal says of Beaumarchais' The Barber of Seville and The Marriage of Figaro, "and the playwright was a wild, extraordinary man, a pamphleteer and a music teacher. But very soon after he wrote them, one was taken over by Rossini and the other by Mozart, and the operas effectively put a smokescreen over the originals. Cutting and combining the two plays gives the whole show a fascinating irony. The first play...
...going to have to stomach the Princeton lacrosse team. The Tiger laxmen, which is just what they are, will take the B-School field at 2 p.m. against the Crimson. That should give them all enough time to get interviewed at the B-School and become indoctrinated into the wild and woolly world of big banking...
...before setting out for Syracuse. After that came a flight into the nether regions of the New York pop life. He soon settled down with Warhol's crew of dilettantes and debauchees, a sojourn both memorialized and satirized in Reed's best-known song, Walk on the Wild Side, a barbed anthem to café society transvestites and chic street hustlers...
What keeps these excursions along the wild side from being slumming expeditions is Reed's own rapt sympathy for the grifters, freaks and crooks who populate much of his music. Many of his songs are shot through with the kind of deadend romanticism that would stir Bruce Springsteen (who, in fact, appears unbilled and unannounced on Street Hassle, reciting the melancholy introduction to the third vignette). If Lou Reed gives no quarter in his music, neither does he yield to sensationalism or condescension. "You know," he sings in Street Hassle, "some people got no choice/ And they can never...
...does pedal through his fourth novel, in a haunting story caged within the main narrative. Since Irving's first novel was called Setting Free the Bears, the ursine connection is not inappropriate. Bears, like artists, can elicit both fascination and fear. Both can be primitive, matted, smelly and wild, and both can learn tricks, be domesticated, cleaned up and made cuddly...