Word: wilding
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Federico Fellini's 8-1/2 is an obvious inspiration, and Kaufman comes close to the Italian master in finding the wild wit in artistic misery. This vast, tragicomic mural spans 30-plus years and two continents, and slips so deviously from toothache reality into nightmare fantasy that you have to work to keep up with it. But Kaufman, Hoffman and a large, sympathetic cast make the ride exhilarating. It's surely the all-time funniest movie about depression, despair and death...
McGinley, 30, grew up in New Jersey, spent his teen years going slightly wild in Manhattan and in his early 20s settled on the arty Lower East Side. The fashion magazines of the time had a singular image of his peer group, and it was not a good one: hollow-cheeked and sallow-skinned with the lank look of a hungry junkie. That wasn't McGinley's crowd--healthy, happily sexual, not above living in the extreme fast lane sometimes but otherwise...
...reprises of top directors, earlier pictures - from European minimalism, by Euro-faves like the Dardenne brothers and Nuri Bilge Ceylan (which, you have to admit, is a great name) - to Hollywood gigantism from the Indiana Jones team. The Riviera fortnight has been so stodgy that we almost welcomed a wild, four-and-a-half hour misfire like Steven Soderbergh's Che. But now our (my) patience has been rewarded, our (my) biliousness calmed. One good movie can do that. In 2006, Guillermo del Toro's Pan's Labyrinth showed up on the last day, to prove there was life...
...bigger issue for Canada is that Alberta will get locked into the upstream rungs of an integrated North American energy market, while high-tech jobs head south, along with raw bitumen. "A Wild West approach to development is raising costs and acting as a disincentive for big energy companies to invest in upgrading and refining operations in Alberta," says Gil McGowan, head of the Alberta Federation of Labour, the province's largest union, representing 140,000 workers...
...level, the appeal of working-class TV is simple. Like such extreme-adventure shows as Man vs. Wild, the programs attract young males better than two-for-one pitchers. They're about men, almost exclusively: men sweating and swearing, men powered by coffee and doughnuts, men revving heavy equipment to heavy-metal sound tracks. But they're also a kind of riposte to the smirkiness and high-class problems of TV's upscale hits. You want an existential crisis? How about getting clocked across your freaking head with a steel oil-drill chain? And whereas big-network TV offers...