Word: wildness
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Dates: during 1940-1949
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...double play got Turner out of possible trouble in the first inning and Harvard went to work on Murphy in its half of the inning. A bunt single by Mort Dunn, walks to Walt Coulson, Herbie Neal, and Cliff Crosby, a single past third by Ernie Mannino plus a wild pitch and a passed ball netted the Crimson three unearned runs...
...first pitch to Murphy was wild, permitting both runners to advance. Three pitches later the count was 2-2. Then Godin fanned Murphy with a change of pace to end the game. HARVARD (5) ab r h po a e Dunn, ss 3 2 2 0 3 2 Caulfield, lf 2 1 0 1 0 0 Moffie, cf 5 0 2 2 0 0 Coulson, 1b 3 1 0 11 0 0 Mannino, 3b 4 0 2 3 2 0 Neal, rf 2 0 0 0 0 0 Crosby, c 3 0 0 7 1 0 Cavanaugh...
...Crimson went ahead in the bottom of the seventh, 4 to 8 Robinson singled for the third time. Akillian moved him to third on a hit-and-run single, and Ralph scored on a wild pitch...
...pandemonium was saved for the old masters. Trumpeter Oran "Hot Lips" Page's "émotion authentique" blues soon had them breaking their hands for joy. Grizzled Sidney Bechet, who has been nozzling out New Orleans classics on clarinet and soprano sax since 1911, got a Toscanini's wild and respectful ovation, And when Yardbird Parker cut loose, puffing his tenor sax like a big cigar, the zazous drooled, twitched and finally screamed...
...other westerns currently galloping around the neighborhood circuits. In a rambling, inconsequential fashion, it tells the story of a reformed, horse-loving outlaw (Howard Duff) who meets up with the pretty daughter (Ann Blyth) of a rich, horse-racing rancher (George Brent). Howard is out to capture a wild horse. Ann, despite some flimsy pretenses to the contrary, is bent on catching a tame husband. After a good deal of shooting, roping and racing, and without offending either the S.P.C.A. or the Johnston Office, both of them get what they are after...