Search Details

Word: wildness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...WILD KINGDOM (NBC, 5-5:30 p.m.). Exploring the wetlands of the Grand Teton Mountains and Canada's northern wilderness. Color...

Author: /time Magazine | Title: Television: Nov. 27, 1964 | 11/27/1964 | See Source »

Dean Moriarty, the holy hero of On the Road and personification of "Hot Beat," careens about the country with man-eating ants in his pants, shirking every obligation, going to wild parties in Denver, New York, San Francisco, having uninhibited sex with beautiful girls, drinking in jazz in crowded joints, getting high on pot, engaging in intense discussions about God, about Love, about Salvation, all in a mad, passionate grab to dig everything and everybody. If Moriarty goes fast enough (and here's Kerouac's big clue-in coming up), if Moriarty's experiences are plentiful and violent enough...

Author: By Jacob R. Brackman, | Title: Allen Ginsberg | 11/24/1964 | See Source »

...this sharing of the experience that unites the wild lovers of Bohemian sex or homo-sex--that lends the illusion of union with brother race as white hipster makes Negro chick. The sharing is built to its very foundation on the in versus the out; on the exclusion of squares; on the treasured mutuality of isolation...

Author: By Jacob R. Brackman, | Title: Allen Ginsberg | 11/24/1964 | See Source »

...theft back in London, and the plot begins to fizz. Peter turns up, with a bullet wound, in an ancient spooky crypt. Hayley skips to the rescue. Showing an appetite for danger that 007 himself might envy, she is bound and gagged in a rat-infested granary, makes a wild leap to freedom on the rotating vanes of a windmill, cracks a rifle butt over a thug's skull, commandeers a speedboat and belts down a couple of drinks-all to help recover a fabulous emerald necklace...

Author: /time Magazine | Title: Cinema: Thrills, Spills & Pola Negri | 11/20/1964 | See Source »

...scream. All the features of the face in this self-portrait work together to vent this scream--all except the eyes. The drawn muscles of the face, the stretched mouth, the twisted lips and the lines in the forehead leading down past the nose--express a sensitive adolescent's wild and frustrated response to a confusing world. But the eyes are open and alert, as if Beckmann is seeing himself apart from himself, viewing his face as a mask. He captures a vision of himself, not "through a glass darkly, but face to face, even as he is seen." Beckmann...

Author: By Rick Chapman and Paul A. Lee, S | Title: BECKMANN | 11/20/1964 | See Source »

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