Word: wildness
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Dates: during 1990-1999
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Whatever the prevailing winds of political humanism, none of the glasnost movies stood a chance against Wild at Heart, a big movie from a hot American director, rushed from the lab to Cannes. The place was tense with anticipation. Early in the festival, Lyncholepts had lined up to see new episodes of Twin Peaks screened at the American pavilion. A few U.S. critics proudly brandished their foreign videocassettes of the show's pilot, for which Lynch shot a tell-whodunit climax not aired in the States. Europeans pummeled Americans for details of the series, which will begin airing overseas...
...Lynch delivered. Wild at Heart is splendidly grotesque and mammothly entertaining -- the director's first for-sure comedy, Blue Velvet for laughs. The plot, from Barry Gifford's noirish novel, is your standard slice of poisoned American pie: a pair of loser-friendly lovers, Sailor Ripley (Nicolas Cage) and Lula Pace Fortune (Laura Dern), hit the road to escape Lula's mom and a phalanx of psychos who vividly illustrate Lula's contention that the "whole world's wild at heart and weird on top." But the picture is charged with so much deranged energy, so many bravura images, that...
...Wild at Heart is about nothing, perhaps, but the power of pictures to shock the nervous system -- so much so that the film may be rated X in the U.S. It's about the fun that actors can have with characters named Bobby Peru (Willem Dafoe), Perdita Durango (Rossellini) and Mr. Reindeer (Morgan Shepherd). It's about obsessive imagery and compulsive behavior: half the people walk on crutches, and just about everybody chain-smokes, sometimes two cigarettes at a time. And, aptly for a film shown in the living movie museum of Cannes, Wild at Heart is Lynch's fond...
...Wild at Heart press book, Lynch's biography reads, in its entirety: "Eagle Scout Missoula Montana." And at his Cannes press conference, this ordinary looking fellow with the buttoned-up collar and the untied shoelace answered questions with the blissed-out graciousness of an Eagle Scout from Mars. Told by one reporter that his films are rife with graphic visions of violence, he stared benignly and replied, "I have even worse." Asked about the similarities in cast and tone between Twin Peaks and Wild at Heart, he said, "The main thing they have in common is wood." Oh. Any more...
When a five-year civil war in the early 1980s drove farmers to abandon their land and livestock, swarms of once docile domestic pigs and their offspring returned to the wild, rooting up the earth in peasants' gardens and devouring cassava, sweet potato and groundnut crops. With their powerful sense of smell, vicious temperament and high birthrate -- sows can bear litters of up to 15 young four times a year -- the beasts are a formidable new enemy for local peasants. Moving mostly in darkness and traveling up to 20 miles a night, the wild pigs have cut local food production...