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With its inclusion of the Busch’s first original art work—Arthur Kampf’s portrait of Kaiser Wilhelm II, one of five paintings among an array of prints and drawings—the exhibition reminds audiences of the museum’s conservative origin...

Author: By Jackeline Montalvo, CONTRIBUTING WRITER | Title: Centennial Celebration Exhibit | 11/7/2003 | See Source »

...England. Of all the musical professions, conductors tend to reach their peak in later years, after acquiring the life experience and authority to mine the deepest riches of an orchestra. None of which bothers Harding. "It is an older man's game," he concedes. "But the great conductor Wilhelm Furtwängler made his debut at 19, so there are exceptions!" Harding is making his own rules. As a young teenager in Oxford he would conduct groups of friends on weekends. Artistically ambitious, he decided to try a rare piece by Schönberg, but found it so difficult...

Author: /time Magazine | Title: Roll Over Beethoven | 8/31/2003 | See Source »

...West's cliché," he says. "We didn't want to exhibit art from the G.D.R. as it had been shown as an export product for the West." Instead, the exhibit begins with a series of dark images, such as sketches of bombed-out Dresden after the war by Wilhelm Rudolph, who wandered among the ruins with notepad in hand. Then there is a collection of formalist drawings and paintings with winding lines and bursts of color, not only surprising because of their contrast to Rudolph's work, but also because they defied the Communist Party's diktat against abstraction...

Author: /time Magazine | Title: A Peek Behind The Wall | 8/3/2003 | See Source »

Crabwalk (Harcourt; 234 pages) tells the story of a journalist, Paul Pokriefke, who was born as his mother escaped the sinking Wilhelm Gustloff, a cruise ship carrying refugees that was sunk by a Russian submarine in the Baltic Sea in January 1945. The number of those who died will never be known, though around 7,000 seems a reasonable guess. It was the greatest disaster in maritime history...

Author: /time Magazine | Title: Germany As Mute Victim | 4/28/2003 | See Source »

Grass had long wanted to write about the Wilhelm Gustloff, he says, partly because his own family could easily have been on the ship. His mother was never able to talk to him about what she experienced when the Russians moved into Danzig. "There is no family in Germany that did not learn some kind of lesson from the two World Wars," says Grass. In Crabwalk, a character based on Grass--himself a man of the left--laments the "staggering failure" of the left's silence in the face of such misery. That silence is ending...

Author: /time Magazine | Title: Germany As Mute Victim | 4/28/2003 | See Source »

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