Word: willems
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...called his party's strong showing in its first test "fantastic." It means, he said, that Botha "has no mandate to go ahead with his reform policy." Indeed, the Conservatives would have won handily if the right-wing vote had not been split between their candidates, Willem Guy, 43, who drew 39.3% of the vote, and Jack Myburgh, 37, of the Herstigte Nasionale Party, who won 18%. So far, the Conservatives have remained aloof of the H.N.P., which stands unabashedly for white supremacy and has stridently attacked the Botha plan. But last week H.N.P. Leader Jaap Marais said...
...standards of South Africa's all-white National Party, Prime Minister Pieter Willem Botha, 66, is a moderate. In his 18th-floor office in Cape Town, he talked with TIME Johannesburg Bureau Chief Marsh Clark about the political battle raging within Afrikanerdom. When Clark joked that the Prime Minister, who describes himself as a conservative, though not an "embalmed" one, bore no visible scars from his recent skirmishes, Botha replied: "I suppose I am like a crayfish-always in hot water." Excerpts from the interview...
...superfluous to say that Pollock is one of the legends of modern art. American culture never got over its surprise at producing him; fairly or not, he remains the prototypical American modernist, the one who not only "broke the ice"-in the generous words of his colleague Willem de Kooning-but set a canon of intensity for generations to come. The sad fact seems to be that no younger American artist, in the 25 years since his death, has quite got past Pollock's achievement. His work was mined and sifted by later artists as though he were...
What Guston did was turn into a figurative painter in his late middle age. This need not have looked bad in itself: the human figure, in various states of smearing and dissection, had long been visible in the work of his friend Willem de Kooning. But the paintings Guston began to make in the late '60s, and first showed in 1970, looked so unlike his established work that they seemed a willful and even crass about-face. Instead of the Gustons the art world knew-abstract paintings with vaporous, knitted surfaces of pearl gray and subtle pinks, like fragments...
Nearly all the artists of the New York School, beginning with Willem de Kooning and Jackson Pollock, were to some extent liberated and inspired by his example. The measure of his work can be taken from an exhibition now on view at the Guggenheim Museum in New York City...