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Sifting through old papers in a Dutch astronomy laboratory, scientists came across an unexpected treasure: 17 letters and postcards written by Albert Einstein between 1916 and 1918 to his friend the Dutch astronomer and mathematician Willem de Sitter. The discovery, reported in Nature, reveals an esoteric interchange between the two men about the theory of relativity. Einstein's observations range from the specific (he computed the radius of the universe as R=10' lightyears) to the metaphoric ("I compare space to a cloth ...") to the peevish ("Your solution corresponds to no physical possibility"). But the two scholars...

Author: /time Magazine | Title: People, Oct. 27, 1975 | 10/27/1975 | See Source »

...newspapers and gaudy lathers of pigment, he put together the "combine paintings" that, so much later, remain his best-known works. How outrageous, how iniquitous that tire-girdled Angora goat looked in 1959! What perversity seemed to lurk behind Rauschenberg's gesture of erasing a drawing by Willem de Kooning and exhibiting the sheet! How dandyist an affront to spontaneous sincerity, the idea of painting two abstract expressionist canvases, Factum I and Factum II, almost identical down to the last drip...

Author: /time Magazine | Title: Art: Enfant Terrible at 50 | 1/27/1975 | See Source »

...during this time - ten years -there was a slow gathering of opinion that Rauschenberg's art was on the decline. Like Willem de Kooning, he be came one of those major figures whose last show is always fated to be thought his worst. The reason was that no later performance could ever measure up to the exaggerations of praise cast on their early work. Meantime, Rauschenberg, mainly through his collaborations with the Los Angeles printmaking firm of Gemini G.E.L., had developed into one of the few major graphic artists in Amer ica. The print suited his liking for swift...

Author: /time Magazine | Title: Art: Enfant Terrible at 50 | 1/27/1975 | See Source »

That sly, unpredictable and difficult old Dutch master of abstract expressionism, Willem de Kooning, turned 70 this year. Ever since the '40s it has been De Kooning's fate, as Harold Rosenberg once observed, to be considered in decline; almost every change in his art, from the Women series of 1951 to the gnarled, glowering bronze figures that occupy him now, has been greeted as a retreat from some previous aesthetic win. Embracing contradictions, De Kooning refuses to be typecast. "I think," he declared in 1949, "it is the most bourgeois idea to think one can make...

Author: /time Magazine | Title: Art: The Painter as Draftsman | 6/17/1974 | See Source »

Died. Adolph Gottlieb, 70, one of the founders of the abstract expressionist school of painting along with Mark Rothko, Jackson Pollock, and Willem de Kooning; after a long illness; in New York City. Rebelling against the social realism that dominated painting in the '40s, Gottlieb created "pictographs"-checkerboard patterns of squares filled with hieroglyphic-like imagery. In the late '50s he began a series of what he called "Bursts," huge canvases with floating blobs of color that sometimes resemble suns poised over jagged horizons. Gottlieb, whose works have sold for as much as $30,000, is represented...

Author: /time Magazine | Title: Milestones, Mar. 18, 1974 | 3/18/1974 | See Source »

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