Word: willesden
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Dates: during 1980-1989
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...Underground entrances are packed with small figures, stuck in their social matrix as though in jam (especially given Kossoff's dense pigment) -- a pictorial equivalent, as it were, of the double meaning of the Hebrew word olam, which means world but also crowd. A painting like A Street in Willesden, 1985, reminds one of how pointless the stereotypes about English art have become. It is not anecdotal, witty, light or conversational. Rather, the opposite. In Kossoff, an obdurate grandeur of intention is coupled with a deep sense of cultural continuity. What other living painter can embed groups of figures...
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