Word: willet
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Dates: during 1930-1939
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...would not suffer that je should poner my mano above ses jupes which je endeavoured," he wrote of one modest soul. But although Librarian Turner transcribed such passages, Pepys's secrets are still reasonably safe 270 years after the night Mrs. Pepys caught him with the charming Deb Willet. Talking things over with publishers and college authorities, Librarian Turner decided that the new edition too should be expurgated...
Trained at his father's kiln. Designer Willet acquired a second-generation ease with his materials which has enabled him to perpetrate many a monkish jest in solemn designs. The first work he ever submitted to Architect Cram showed a young, red-haired craftsman offering a sample window to a stern king with Cram's features. In classical script appeared the legend: Non tam bona quam quaedam fortasse mon tam mala quam quaedam alia certe.* Cram looked it over, asked: "What is that little devil doing whispering in my ear?" Said Willet: "Oh, that...
From his farm near Ambler, Pa., Henry Lee Willet drives every day into West Philadelphia where he has a big, three-story studio and about 20 craftsmen working full-time on jobs which at the moment include windows for Minneapolis, St. Louis and Louisville. He pays apprentices $12 a week, experienced artists as much as $85, mechanics according to the union scale, which is $1 per hr. in Philadelphia. Like Lawrence Saint, he is a Presbyterian elder, recently persuaded the Presbytery of Philadelphia North to establish a committee of social action. He and Saint are good friends but he thinks...
Last week, at the new Universalist Church of the Restoration in Germantown, Pa., designer Willet's latest and most guild-minded window was dedicated. It was commissioned by Architect J. Roy Carroll Jr., in the belief that, if the church had at least one good stained-glass window, parishioners would be inspired to replace the others, which are plain. When the contractors, subcontractors and workmen heard that Henry Willet was designing a "Workmen's Window" to represent the various trades engaged in building the church, they clubbed together to pay for it. Designer Willet happily put Architect Carroll...
...conveyed to us by the author. It is this phase of the novel which is most interesting. The evolution of the love of Catharine for Martin and the lessening of her regard for her ruthless, sacrosant mother are both given to us convincingly. The portrait of the mother, Florence Willet Carmichael, succeeds remarkably. She is a grasping, hypocritical woman, capable of any actions which might further her own interests. The helplessness of her husband in the face of her "holy crusade" is pathetic...