Word: williams
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Dates: during 1950-1959
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They Came to Cordura (William Goetz; Columbia), based on the 1958 bestseller by Glendon Swarthout, is a big, flashy, $4,000,000 Gary Cooper western. Its primary purpose is to grab the top dollar in the November movie market, but incidentally it tries to "put [its] hand," as the script proclaims, "on the bare heart of heroism." Director Robert Rossen, who wrote the script with Ivan Moffat, never gets quite that close to the mystery of courage. But he does examine the nature and conduct of a hero at considerable depth, and he finds in his moral conflicts a stronger...
From temperance club to neighborhood pub, these heart-searing words have echoed in countless performances since they were put down more than a century ago by an actor named William Sedley and picked up by P. T. Barnum, first big producer of The Drunkard, or The Fallen Saved. Last week The Drunkard's lachrymose prose reverberated no more in Los Angeles, where the show was revived in 1933 at the small, stucco Theatre Mart and reeled on for the longest run in U.S. theatrical history: 9,477 performances. The play was a victim of exhaustion and the local fire...
...fuss was embarrassing to Ontario's Education Minister William Dunlop. His own engineering specifications: about 5 ft. 6 in., more than 210 Ibs. Did he agree that a fat teacher is a bad teacher? With citizens clamoring for an answer, Dunlop took cover in the explanation that obesity is dangerous, busied himself with plans to reduce Jim Babinetz and get him back into teachers college. Said chubby Minister Dunlop: "It's purely a health matter...
Bach: Arias (The Bach Aria Group, conducted by William Scheide; Decca). One of the nation's finest chamber groups, including Soprano Eileen Farrell and Tenor Jan Peerce, offers masterful performances of some little-known arias and duets from the Bach cantatas. At least two of them-Gott versorget alles Leben from Cantata 187 and Wenn kommt der Tag from Cantata 70-deserve a place on any Bach shelf...
...whose closed outer face deliberately belied the soaring drama of its interior. "It's like the Vati can," exclaimed one painter, staring up at the great dome. "You would need a piece of sculpture the size of the old Athena in the Parthenon for this place," worried Sculptor William Zorach. "Even when he made a mistake, he made a big one," opined Sculptor Jacques Lipchitz. But, looking across the well at the opening show of 134 paintings and sculptures selected from the 2,500-odd works in the Guggenheim collection, most were forced to concede that the great curved...