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Word: williams (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Reported by William Tynan/New York

Author: /time Magazine | Title: Television: It's David Kelley's World: You're Just Watching It | 5/31/1999 | See Source »

Polke depends not just heavily but entirely on the "appropriation" of visuals from all manner of sources, from comic books to ads, from news photos to William Blake. He skips and flitters like a frenetic troll through this forest of images without feeling the least impulse to make narrative sense. His work has the rambling, no-rules character of a dopehead's monologue. Indeed, just as Filippo Marinetti, leader of the Italian Futurists 90 years ago, called himself "the caffeine of Europe," so one of Polke's doodles, of a glass tube with powder spilling from it, is titled Polke...

Author: /time Magazine | Title: Art: Mocker of All Styles | 5/31/1999 | See Source »

What causes the epidemic of imitation? "You need a cat to do the copying," says Harvard psychologist William Pollack. "It starts with kids who are already somewhere close to the edge." Copycats model themselves on crimes, both real and fictional, that grab a lot of attention. When the movie Money Train came out a few years ago, with a scene of flammable liquid being squirted into a New York City token booth and set on fire, real-life robbers duplicated the act and badly burned a token clerk. After the TV movie The Burning Bed aired in 1984, with Farrah...

Author: /time Magazine | Title: Criminals As Copycats | 5/31/1999 | See Source »

...thought to use fame as true love's great obstacle is a nice question. But here, at last, is Notting Hill, and it makes something utterly charming--and very smart--out of the efforts of the world's most famous and desirable movie star, Anna Scott (Julia Roberts), and William Thacker (Hugh Grant), the world's most anonymous bookseller, to get together...

Author: /time Magazine | Title: Cinema: He Loves, She Loves, We Love | 5/31/1999 | See Source »

Their meeting isn't particularly cute--she just wanders into his shop on London's Portobello Road one day--and their attraction is distinctly muted. William's charm is of a musing, terribly English sort. He knows his place, which is deliberately narrow, unthreatening. She, in turn, has the wariness of the constantly stalked. She doesn't have a place. She is a bird of passage, always about to leave one movie location for the next. The film's comedy and crises arise out of their attempts to find a refuge where she can settle down and he can open...

Author: /time Magazine | Title: Cinema: He Loves, She Loves, We Love | 5/31/1999 | See Source »

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