Word: williamsons
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...even acted out pushing a wet string on the table. He told the accused girl to have patience, be reasonable, keep trying. Two days later, the Committee informed the same girl that non-violently standing on the steps of University Hall with 150 other people while Samuel R. Williamson tried to get into his office had earned her a suspended requirement to withdraw. It seems that a wet string can move very fast sometimes...
...other cases the CRR is not even so very concerned with the empirical facts. Dale Fink was an undergraduate accused of blocking Williamson and Donald Anderson when they tried to enter Holyoke Center on May 16. At his hearing Fink testified that he was present at Holyoke Center that morning, but that it was not his intention to block anyone, and in fact, he had stood away from the door to make his intention clear. Williamson testified that he saw Fink standing in front of the door in the third row of demonstrators. This situation is common in criminal cases...
This was not really a hearing, it was a processing. The prosecution's only evidence, a photograph, showed the girl standing on the steps of University Hall with approximately 100 others while Samuel Williamson, Assistant to Dean May, had tried to get into his office. The girl's boyfriend, who was also her advisor, was arguing the case. He was standing next to her in the photograph the prosecution had presented but no one mentioned this. She was on trial, not him. She had been identified in the photo by her dean, he had not. These unusual circumstances were...
There are other far-out experiments. One group, living at Sandstone, a handsome complex of houses near Los Angeles, has varied in size from three to twelve adults, and currently consists of only five: three men and two women. Says Barbara Williamson, a member of what she calls the "intentional" family: "It's a smorgasbord. It's so much more exciting to have nine different dishes than just one." The group has had no children yet because it wants to stabilize its "marriage" first...
...look back on the '50s, '60s and emerging 70s as a golden age of British acting. The mature actors-Olivier, Scofield, Gielgud, Richardson and Redgrave -ripened from talent to mastery to greatness. Like dynastic sires, they have inspired an exciting group of young successors-Albert Finney, Nicol Williamson, Ian McClellan, Tom Courtenay -actors less attuned to the niceties of craft, but ablaze with Elizabethan intensity. In Home, the U.S. debut of an extremely evocative new British playwright, David Storey, there is an opportunity to view a feat of artistry by Richardson and Gielgud that becomes legendary before...