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Introducing the film, Willis said that “the visual structure of this film was not the general genre of Hollywood…not in the Doris Day structure of films.”

Author: By Josiah P. Child, CONTRIBUTING WRITER | Title: Famed Cinematographer Visits the Brattle | 4/25/2003 | See Source »

Willis said that the “ambience” of a film served as the crux of his decision-making. Also, he said his key technique was “relativity,” which means shooting scenes “light to dark, big to small?...

Author: By Josiah P. Child, CONTRIBUTING WRITER | Title: Famed Cinematographer Visits the Brattle | 4/25/2003 | See Source »

Asked why the visual ambience of his films tended to be so dark, Willis jokingly replied that “we didn’t have enough money for the lighting.”

Author: By Josiah P. Child, CONTRIBUTING WRITER | Title: Famed Cinematographer Visits the Brattle | 4/25/2003 | See Source »

When Willis said that the experience of filming “Godfather I was a shit-bath,” Thorburn countered quickly, “I’ve never had one of those.”

Author: By Josiah P. Child, CONTRIBUTING WRITER | Title: Famed Cinematographer Visits the Brattle | 4/25/2003 | See Source »

Francis Ford Coppola, the film’s director, was almost fired several times by the producing studio, and ran into many other complications, partly because he was not quite sure at times what he wanted done. “There’s this kind of little boy in...

Author: By Josiah P. Child, CONTRIBUTING WRITER | Title: Famed Cinematographer Visits the Brattle | 4/25/2003 | See Source »

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