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Most Likely . . . (Dick Johnson, with Dave McKenna, piano; Wilbur Ware, bass; "Philly" Joe Jones, drums; Riverside). An alto saxophonist with wit and a springy, willow-green reed sound, Johnson bounces through a few of his own sunny fancies (Aw C'mon Hoss, Me 'n' Dave), gives fresh nuances to some twilit standards (It's So Peaceful in the Country, The End of a Love Affair). Among his best: a gusty frolic called Lee-Antics, which rings its intricate changes with geysering exuberance, builds to a stunning solo flight on the drums...

Author: /time Magazine | Title: Music: Jazz Records | 4/21/1958 | See Source »

...Willows in the Amphitheatre. It was the note of exuberance and freshness in Stone's latest work that convinced the American Institute of Architects committee, charged with finding an architect for the U.S. State Department, that Stone was the man to design the Brussels pavilion. When he first visited the site two years ago, it was little more than a grassy, willow-studded park, staked out in a triangular plot, between the areas reserved for Vatican City and the U.S.S.R. Characteristically, he began sketching his design on the spot, seized on the site's natural amphitheater contours...

Author: /time Magazine | Title: Art: More Than Modern | 3/31/1958 | See Source »

...unaccountable reasons (so unaccountable that his friends suspect a heart attack), De-rossett did not slow down. Instead, the bus rammed the wrecker, knocked it 60 ft. The bus itself lurched, swayed, tipped for a moment at the top of the embankment, then slithered through a grove of willow trees into the river. It hung for agonizing minutes in 3 ft. of water-long enough and shallow enough for 13-year-old Bill Leedy to kick open the rear emergency door, push smaller children out, then escape himself. Other passengers frantically rolled down windows and crawled out. Altogether 20 children...

Author: /time Magazine | Title: DISASTERS: Beneath the Big Sandy | 3/10/1958 | See Source »

...role with an air of sly innuendo that it often lacks. As Desdemona, velvet-voiced Soprano Victoria de los Angeles took her time warming up, but was in soaring form by the third act's grand ensemble scene; her heavy acting was forgotten as she gave the Willow Song and Ave Maria in Act IV a purity and emotional gloss that held the house in a misty-eyed hush...

Author: /time Magazine | Title: Music: Merely Excellent | 3/10/1958 | See Source »

BETTY J. BORTHWICK Willow Grove...

Author: /time Magazine | Title: Letters, Apr. 8, 1957 | 4/8/1957 | See Source »

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