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...Writing in his blog, my friend Shane K. Wilson ’07 quotes Pound Professor of Law Roberto M. Unger: “To gain freedom of insight and action in a more remote context, often at the price of ineptitude in an immediate one, is a definition of genius.” Without geniuses there would be no intellectual situation to speak of, only hollow feedback, the sound of measuring tapes flapping and brows furrowing. Genius versus critic is Lil’ Wayne v. Kanye West; Bush v. Cheney; Twin Towers v. Freedom Tower; Sal Paradise v. Dean...

Author: By Leon Neyfakh | Title: Fear and Loathing in the Currier Elevator | 6/5/2007 | See Source »

...convicted Libby, Vice President Dick Cheney's former chief of staff, in March of lying to federal investigators about leaking the identity of CIA operative Valerie Plame. The leak was the thing for most Americans, the crux of an apparent White House campaign to discredit Plame's husband, Joseph Wilson, who wrote a 2003 op-ed piece debunking WMD justifications for the Iraq war. But while outing a CIA agent can be illegal, neither Libby nor anyone else was actually charged with doing that to Plame. In fact, pre-trial maneuvering found the prosecutor, Patrick Fitzgerald, insisting that this...

Author: /time Magazine | Title: How Much Time Will Libby Get? | 6/4/2007 | See Source »

...Nelson-Atkins Museum of Art in Kansas City, Mo., is a serene neoclassical building from 1933. A stately terraced lawn with a sculpture garden pours down from the grand south entrance. Nine years ago, when the museum's director, Marc Wilson, and his trustees decided it was time to expand, they began a search for architects. Eventually they whittled the list down to six. Nearly all the finalists proposed building on the parking lot at the building's rear, a location that wouldn't interfere with its grand faade. Only Steven Holl dared to suggest an addition that would...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

What Holl has produced, working with his senior partner, Chris McVoy, is something that doesn't merely mimic the classicism of the older museum building but reformulates it in 21st century terms. As Holl puts it, he promised Wilson and the museum's trustees that "the new will be as new as can be, but the old will be preserved." If anything, he amplified the classicism of the space behind the old building by positioning the longest and most conventionally rectangular of his lenses at a perpendicular to the museum's rear faade. That created a square courtyard with...

Author: /time Magazine | Title: Light at the Museum | 5/31/2007 | See Source »

...enough and the movies will provide what some people like to call "guilty pleasures," but which are, for the critic, entirely guilt-free. Yes, sometimes it's a bummer - an Irish romance (Once) which looks as if the cameraman and the sound guy were both DUI, or the entire Wilson family (Luke, Owen and Andrew) seeking and finding near-total witlessness in The Wendell Baker Story. But still, there's something to be said for the infinite variety of the movies...

Author: /time Magazine | Title: The Guilty Pleasures of Bug and Mozart | 5/18/2007 | See Source »

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