Word: winborn
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...costumes, by Bill Winborn, who is a Crimson arts editor, also deserve recognition. Jimmy describes Alison's father Colonel Redfern as "one of those sturdy old plants left over from the Edwardian wilderness that can't understand why the sun isn't shining anymore." When Slaughter strides on stage in Redfern's proper Burberry-ish getup, we see that Jimmy could't be more accurate. And Redfern's grab, impeccable down to the polished black shoes, makes Alison, Jimmy, and Cliff's miserable fallen hems and moth-holes all the more noticeable...
NEWS EDITOR:MARION B. GAMMILL '95 NIGHT EDITORS: TODD F. BRAUNSTEIN '97 MARION B. GAMMILL '95 ARTS EDITOR: G. WILLIAM WINBORN '95 DESIGN EDITOR: SORELLE B. BRAUN '96 PHOTO EDITOR: JENNIFER J. BAIK '94-'95 BUSINESS EDITORS:TERRANCE A. DEE '96 CRAIG S. ROSENBLATT...
...William Winborn contributed to thereporting of this story...
There are so many elements in the film which Winborn sensitively and individually apprehends, such as his suspicion that Collard "believes Jean (Genet's) quotation `only violence can out an end to men's (violent?) way," as somehow as explanation of why "We get to see plenty of violence--domestic, sexual, racial" in the film. He describes some of these scenes, correctly says they have been deliberately chosen precisely for their shocking violence--but then does not connect these scenes to that Genet quotation even though the recognizes Collard likely somehow must...
...Winborn is correct in virtually each of his separate apprehensions of this film, but it is finally in this individual separateness, this unconnectedness, wherein his otherwise able criticism fails its won good promise...