Word: windedly
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Dates: during 1950-1959
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...Festival's final evening featured a concert of two works "written for the out-of-doors," played by members of the Boston Symphony Orchestra under Richard Burgin. On the Festival stage 13 wind-players performed Mozart's Serenade in B-flat (K. 361). The performance went fairly well, but showed several signs of insufficient rehearsal (in the first minuet, the bassoonist even played his entire solo one bar ahead of everyone else...
...light "the men who still wait in the little garden of the earth." The fragmented, intermittently lyrical score contains snatches of gutbucket jazz and such unorthodox sonorities as a chorus singing through megaphones, a shrieking oscillator, an accompaniment of organ, harmonium, piano, celesta and wind machine. This occasionally blurred performance has its strongly moving moments, but many listeners may feel that Composer Orff's moon has set before it has fairly risen...
Outside the cream-colored Chamber of Deputies in Rangoon last week, troops in battle dress lined the streets; Bren-gun carriers patrolled the bazaars; anxious citizens stood nervously by, holding umbrellas against the monsoon rains and clutching their wind-blown longyis (Burmese sarongs). Inside the building, 248 Deputies were jammed together under the rhythmic movement of 18 ceiling fans that fluttered the loose ends of their yellow, pink and blue head kerchiefs...
...with its simplicity: he has learned how to breathe. Before every pitch, he takes a deep, relaxing breath, and "it loosens my shoulder muscles." Turley considers pitching "an exercise in psychology," is willing and anxious to learn from anyone who can help. From Don Larsen he learned the no-wind-up style that aids his control and concentration. From careful observation of his own failures, he learned to shorten his stride so that he no longer bangs his right elbow against his left knee when he follows through after a pitch. Unnecessary bases on balls and a chronic soreness...
Anarchy prevailed. After a long winter of weight lifting and wind sprints, Christine brightened Wimbledon's No. 1 court with the finest tennis of her short career. Her powerful forehand was unbeatable, her sliced backhand was too cute for Althea to handle, her serve had a vicious hop. And as her confidence grew, her shots sharpened. She ran Althea off the court, 2-6, 6-3, 6-4. It was the decisive match; Christine and her teammates forthwith walked off with the Wightman Cup (4-3) for the first time in 28 years...