Word: window
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Dates: during 1960-1969
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...entry alarm had been turned off. Mazer ran downstairs and out into the House courtyard. "Where is a fireman?" he asked a student in the yard who had stopped to look at the smoke drifting from the window...
...suddenly rolled like molten lava toward a cluster of homes-and toward the red-brick Pantglas Junior and Infants School, where some 250 youngsters between seven and eleven were just sitting down to class. Across the street, Mrs. Pearl Crowe heard the rumble and looked out of her window. "I saw a black mass of moving waste pouring steadily into the school, and part of the school collapsed. I was paralyzed." Ten-year-old Dilys Pope was in one of the classrooms. "We heard a noise, and then the room seemed to be flying around. The desks were falling over...
...black slime. From nearby pits, miners rushed to the scene and tore at the debris with their hands, picks and shovels. Mothers struggled up to their waists in the mud and sludge, calling out for their children. Mrs. Pauline Evans, a 27-year-old housewife, climbed through a classroom window with a nurse and found a dozen children screaming in panic. "In another classroom, we could hear the voice of a little girl," she said. "But we could not get to her because there were other children trapped near by and if we moved anything, it would have collapsed...
...fiercely during the course of the campaign. To Filipinos, insults cannot go unanswered. On a stormy, wind-whipped night shortly after Pistol Champion Ferdie Marcos had returned to Ilocos on vacation, Nalundasan rose from his dinner table and walked to a washbasin. He was starkly silhouetted in the lighted window. A single .22-cal. bullet cracked in the banana tree outside, and Nalundasan dropped dead, shot through the heart. The shadow of suspicion was heavy: Mariano had been defeated and insulted; Ferdie was the best small-arms shot in the Philippines...
...effort to define their paintings within a limited pictorial space, many of the abstract-expressionist painters, in the fifties, dispensed with frames altogether. Without frames, their pictures lose the illusionistic window effect and, rather than continuing off into an imaginary pictorial space behind a frame, they stop at the edges of the canvas and are entirely contained within it. In effect, these paintings become objects contained within the room in which the viewer is standing. Though his motives are different, Warhol uses the same technique to form a continuum between the space and environment of his pictures and the proximate...