Word: window
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Dates: during 1970-1979
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...when none of the U.S. retaliations brought any progress toward the release of the hostages, American anger and frustration became almost palpable.* New anti-Iranian demonstrations flared on campuses from coast to coast; three teen-agers threw a rock at the window of an Iranian in Denver, and he shot back, killing one of them. Eight Iranians, carrying rifles, telescopic sights and ammunition, were arrested at Baltimore-Washington International Airport as they prepared to board a flight to New York. Senate Majority Leader Robert Byrd, normally one of the mildest and most self-controlled of men, said he sympathized with...
...coughs and sputters, its pilot sitting at the controls with a frayed Red Sox cap and a parachute. "Let's go," he yells. The jump master arranges us in a small Cessna with flaking paint. I sit next to the pilot, my back to the controls, staring out the window of the door through which I will soon exit. I watch as the plane rumbles down the runway, lifts and spirals over the center, the lakes, the large clumps and bands of trees and the long strings of high tension wires. The master standing at the door of the plane...
...group of 100 or so OSS veterans listened grimly to a series of gloomy speeches. Wyoming Republican Senator Malcolm Wallop scoffed that CIA agents have become not spies but "bureaucrats." Frank Barnett of the National Strategy Information Center, a hawkish think tank, warned of a "Soviet window of opportunity" in the 1980s. Ray Cline, a former top CIA officer who now directs strategic and international studies at Georgetown University, offered a dismal report card on his old outfit: D- in covert activities, C- in counterintelligence, C- in information gathering. It is all very depressing to the OSS alumni...
...return of many former possessions. She also ran a restaurant-inn for the past 15 years. Said she: "With all the troubles in my life, if I couldn't make a plate of tortellini or bring somebody a glass of wine, I'd have jumped out the window long...
...dimly lit fuschia blooms outside the window stand in stark contrast not only to the grays and blues of the living room, but to the gray-blue lives of the characters themselves. The light drifting in through the leaded glass produces a criss-crossed pattern of shadows across the set, creating the appropriate illusion of a cell...