Word: windowful
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...Candy (which opens in Australia this week), the camera doesn't lie. When Dan is told he is to become a father, his face, caught in the light of a window, floods with tenderness. Ledger appears to act only when his character must-to hustle for the couple's next fix. Otherwise his performance is fakery-free. As the sun Dan orbits, Abbie Cornish carries the same dreaminess she first displayed in Somersault. If she never quite plumbs Candy's depths, that's because she remains in Dan's eyes an ideal. Also directing their gaze is Svengali figure Casper...
...squad out to commandeer a small shopping complex, which will give cover for the rest of the platoon to push east. On the roof, Buck, his helmet emblazoned with the words DEATH DEALERS in thick letters, warns his Marines to stay alert. When Tasayco sees movement in a nearby window, Buck rises to check it out. An insurgent sniper fires at his head, cracking a round into the lip of the cement wall in front of him. "I should be dead right now," Buck says to Tasayco with a laugh...
...wing to the left of the museum's main entrance as a blank canvas for the Australian artists. While the building functions as a bookshop, curatorial offices and library, it was also Nouvel's idea for it to be viewed as a 3D artwork from the street. Every available window, wall, ceiling and column was seen as a potential creative site for the eight artists selected, each embodying a different region of Aboriginal culture (see map). With ambitions far outstripping its $A1.4 million budget, the Australian Indigenous Art Commission was to re-imagine Aboriginal art 20,000 km from...
...traces her lineage to the Waanyi country of northwest Queensland, calls her blue "the liquid color of dreams." In this case bittersweet ones, for Watson's work expresses the disquiet indigenous Australians can feel in seeing their ancient artefacts in foreign collections. Acid-etched across the front window, the artist's museum piece seeks to challenge "the ethnographic perceptions of Aboriginal culture and traditions," says Watson. "The more that our presence is felt, and the more that people experience and meet with indigenous people on their ground, the more that those perceptions are going to be squashed...
...fear. Nosh's photographs document the daily struggle to block out the violence. Sometimes the carnage seemed a world away; at other times it was all too close. After a roadside bomb went off near the house, family members got a ringside view of smoke and pandemonium from their window...