Word: windwards
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...fine-tuning rudder, rigging and sails and applying strips of plastic film to the hull, Conner came out smoking and caught the Kiwis by surprise. Stars & Stripes crossed the starting line three seconds ahead of New Zealand and never relinquished the lead. On the 24.1-mile course's four windward legs, Conner refused to be drawn into Dickson's practiced tacking maneuvers, in which the lead boat covers the one behind, trying to prevent it from escaping the blockage of its breeze. In a blustery 26-knot wind, Stars & Stripes did not risk losing that contest and barreled straight ahead...
...delirious. People died, not individually, here and there, but in clusters, in alarming patterns. A plague mentality set in. Friends recoiled from one another. If they met by chance, they did not shake hands but nodded distantly and hurried on. The very air felt diseased. People dodged to the windward of those they passed. They sealed themselves in their houses. The deaths went on, great ugly scythings. Many adopted a policy of savage self-preservation, all sentiment heaved overboard like ballast. Husbands deserted stricken wives, parents abandoned children. The corpses of even the wealthy were carted off unattended...
...barricaded, uncompleted 10,000-ft. strip at Point Salines on Grenada's southeastern tip. They had been dispatched from a staging airfield in Barbados, just 160 miles, or 45 minutes, away. Grenada, the once sleepy tourist haven, barely 80 miles off Venezuela in the Caribbean's Windward Islands, was now fully awake-and frightened...
...last-ditch effort, as Bertrand made his final rounding of the windward mark more than 3 min. ahead, Conner tried to sail over his opponent, get to leeward of Australia II and force it to head back up to windward. He was about a minute too late. By the end of the race, in constantly shifting winds of up to 19 knots from the southwest, Bertrand led by a whopping 3 min. 25 sec. The series was tied 3-3. From London to Perth, the betting was on Australia...
...order to fix the facts he loved-the blurred motion of a spoked wheel, the tilt of a catboat beating to windward, the awkward play of a naked boy's legs as he dives-Eakins produced a mass of preparatory work, in many mediums. Convinced that the camera was truth, he took photographs and worked from them; he was one of the first American artists to do so. He made drawing after drawing, from mere thumbnail sketches to stupendously elaborate perspective studies that include notes on such minutiae as eight cross sections of an oar from loom to blade...