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Peterson scored twice, including the game-winner...
...pretty wild ride, showcasing once and for all that the new school of glitzy film stars can sing better than Jennifer Lopez. Catherine Zeta-Jones, Renee Zellweger and especially John C. Reilly are surprisingly watchable in this furiously edited, expensive adaptation of the murderous Broadway classic. Winner of this year’s Academy Awards for Best Picture, Best Supporting Actress, Best Art Direction, Best Costume Design, Best Editing and Best Sound. Chicago screens...
...image by starring as a graying, heroin-addicted gambler who tries to rob a casino. Holding the film together are a passel of modern noir/heist elements—the prostitute, the chummy detective, the technology whiz, exotic locations and lush cinematography (in this case, by two-time Oscar winner Chris Menges, who did wonderfully evocative work on The Killing Fields). The Good Thief screens...
NOWHERE IN AFRICA. This year’s Oscar winner for best foreign film sheds new light on the exodus of one small group German Jewish refugees in the late 1930s. It’s the tale of Walter Redlich, a Jewish lawyer who goes to Africa to live with the European expatriate community (which is now mostly Jewish) in and around Nairobi. After opening with scenes of his family’s comfortable home life back in Germany, the film depicts the Redlichs adapt to their new home on a desolate Kenyan farm and struggle with relationships between family...
...show’s eventual winner frequently complained that Goodwin was touting her Harvard status to make herself appear “better” than the other three contestants...