Word: winnercut
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Chris Parker's experimental winnerCut (U. of Iowa; its choice accentuated the uselessness of the dramatic-documentary-animation-experimental categories) aped Godard's Masculin-Feminine in discussing the making of movies, some very elementary metaphysics, and the old illusion-vs.-reality bit. I didn't like it, but that's between me and my generally perverse taste; at least it was the film Parker wanted to make, plainly personal and chock full of substance. One can't quarrel with a well-executed idea, one can only like or dislike it. Peter Simmons' My House (San Francisco State) is another...
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