Word: winners
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Dates: during 1950-1959
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...winning car at Indianapolis is the one that combines top speed with a minimum time in the pits-a good pit crew can refuel and change all four tires in 30 seconds. For the past two years the winner has been the bright yellow, 380-h.p. Belond Special, designed, built and owned by Mechanic George Salih of Whittier, Calif. Salih took the standard four-cylinder Offenhauser engine used in most Indianapolis cars, installed it on its side at an 18° angle for cooler running and lower center of gravity. The idea was so successful that...
...Smith's four-year-old Hillsdale was bunched with three other horses with only a dozen yards to go in the California Stakes at Hollywood Park, Calif., but responded to the whipping of Jockey Tommy Barrow, won by a nose in a driving finish. The $66,800 winner's share increased Hillsdale's lifetime earnings to $415,095, gave him first place in 1959 winnings with $270,250. ¶ In a dual track meet between Oklahoma and Oklahoma State at Norman, Okla., for the first time in college track history three vaulters cleared...
Losers Win. In the race for the winner's purse, dancers wiped out their rivals by slipping them Mickeys or Ex-Lax. Old-timers advised first-timers to don wet stockings (it gave them blisters); women slugged other women cold. Men and women huddled and sometimes made love while wrapped in blankets. "I never did understand the spectators," says June. "They neglected home, children, work. They were drawn to us by the climate of cruelty in the world. Our degradation was entertainment; sadism was sexy; masochism was talent...
...potent musicomedy fuel on Broadway than Ethel Merman, and she powers Gypsy with 50 million lbs. of personality thrust. But the show merely quivers on the launching pad. Its book is drab and uninventive; its songs are also-rans, though the trumpet-tonsiled Merman voice is always in the winner's circle. Jerome Robbins' dance spoofs are designed to show how funny-awful vaudeville was, and by sheer glut and garishness turn pretty gaudy-awful themselves. A Mermanly try at playing up Mama's spunk and jollifying her sadism fails when the script itself belatedly acknowledges that...
Redhead. A theatrical thoroughbred (Gwen Verdon) carries this plow-jockey musical into the winner's circle...