Word: winners
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Dates: during 1960-1969
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...pickings were slim, Willie Shoemaker had to admit-but what was the nation's No. 1 jockey to do on May 1 except ride in the Kentucky Derby? Last week the Shoe decided that his Derby Day mount would be Ada L. Rice's Lucky Debonair, winner of last month's Santa Anita Derby. "He's a nice running horse," shrugged Willie. "Not big, but he gives you his best." Faint praise, maybe, but the bookmakers were impressed. They installed Lucky Debonair as the early favorite at 3-1 to win the 91st...
...blacksmith charges $18.50 for a set of shoes. A man could be out of pocket $100,000 or more by Derby time for his three-year-old. He then pays $100 for the original nomination, $250 to pass the entry box, another $1,250 to start. The winner's purse: about...
...shallow, self-seeking Britain. The show was simple and amusing enough to rest successfully on its pantomime and song, but the simplicity disappears in Greasepaint. Littlechap, has become Cocky (Newley) and Sir (Cyril Ritchard), who, dripping with social symbolism, play The Game (of Life, get it?). The winner of each game writes the rules for the next one, so Sir, having won the first game, imprisons Cocky in a vicious loser's circle...
...plenty last week: two victories in eight days. At Pensacola, he sank a 35-ft. birdie putt on the third hole of a sudden-death playoff to beat Jack Nicklaus for the $10,000 winner's check. At the Doral Open in Miami, he fired a five-under-par 67 in the final round and picked up $11,000 more. That boosted his official 1965 winnings to $27,332, tops on the tour by $11,000 over Billy Casper. Now there was an excuse for a party. "I climbed out of the Mr. Clean bottle on Sunday," says Doug...
...Winner Argerich the ordeal was withering. Midway in a concert last week, a doctor was summoned backstage for Argerich, who was suffering from insomnia and near exhaustion. Nevertheless, she came onstage and swept through Chopin's Scherzo in C-Sharp Minor with a fleet and fiery abandon that left the audience gasping. Though a slight, delicate girl, she played with an almost masculine power and assertiveness. For more introspective passages, she tempered her mercurial attack with a limpid, poetic tone and subtlety of phrasing that won her the added honor as best interpreter of Chopin's mazurkas...