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Pauline (Melanie Lynskey) and Juliet (Kate Winslet) are children of two different cultures. Juliet's father is an English canon, and the girl is blond, worldly, brash; she was hospitalized for lung disease, and has been brought to New Zealand for the climate. Pauline, whose father manages a fish store, is dark and broody; she has leg scars from the ravages of osteomyelitis. Juliet sees their wounds as badges of spiritual aristocracy: "All the best people have bad chests and bone diseases. It's all frightfully romantic...

Author: /time Magazine | Title: CINEMA: A Heavenly Trip Toward Hell | 11/21/1994 | See Source »

...film's triumph is to communicate this creepy excitement with urgency and great cinematic brio, while neither condescending to the girls nor apologizing for their sin. The film's serendipitous stroke was to find Winslet and, especially, Lynskey, a first-time actress. They are perfect, fearless in embodying teenage hysteria. They declaim their lines with an intensity that approaches ecstasy, as if reading aloud from Wuthering Heights. The giggles that punctuate the girls' early friendship are not beneath Winslet and Lynskey. The screams that end the film are not beyond them...

Author: /time Magazine | Title: CINEMA: A Heavenly Trip Toward Hell | 11/21/1994 | See Source »

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