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...creature before being egged on to kill him? It's also Beauty and the Beast . Except that Edward's beauty is the beast - for most of the piece Kim pays scant attention to our hero - and, as incarnated by Depp or either of the men (Sam Archer and Richard Winsor) who dances Edward for Bourne, the beast is beautiful...

Author: /time Magazine | Title: Edward Scissordance | 3/22/2007 | See Source »

...Some of these masterworks are known only in diluted form. E.C. Segar's newspaper strip Thimble Theatre lent its most popular character, Popeye, to cartoons. So did George Herriman with his Krazy Kat and R. Crumb, to his immediate and lingering regret, with Fritz the Cat. (Winsor McCay, who created his Little Nemo in Slumberland comic strip in 1905, smartly made his own animated films.) Say "Mad," and most people will think of the magazine, or the TV show, not Harvey Kurtzman's inestimably more original and insurrectionist comic book, which existed for 23 glorious issues from...

Author: /time Magazine | Title: Does Mad Need a Museum? | 2/3/2007 | See Source »

...HOUSE OF WINSOR...

Author: /time Magazine | Title: Does Mad Need a Museum? | 2/3/2007 | See Source »

...Little Nemo in Slumberland: So Many Splendid Sundays! by Winsor McCay and edited by Peter Maresca (Sunday Press) 100 years ago there appeared a full color comic strip unlike any seen before or since. "Little Nemo in Slumberland," by Winsor McCay, a pioneer of both comics and animation ("Little Gertie the Dinosaur"), followed the adventures of a little boy in the world of dreams until, at the end of every episode, he awakens. Some of the most visually inventive comics ever created, McCay's strips would put Nemo through diamond palaces, into the mouths of dragons, and as a giant...

Author: /time Magazine | Title: Best of 2005: Comix | 12/17/2005 | See Source »

...very first significant comics artist was Winsor McCay, who, just 100 years ago, published his first full-color page of Little Nemo in Slumberland. Here was a popular art at its onset and apogee: not a primitive Lascaux cave painting but a Sunday- supplement Hieronymus Bosch--a glorious otherworld of dreamscapes as phantasmagoric as they were funny. "He created a vocabulary for artistic creation in comics," Carlin says of McCay, "showing how they could achieve extraordinary, avant-garde things without undermining their popular appeal...

Author: /time Magazine | Title: Peanuts in the Gallery | 11/28/2005 | See Source »

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