Word: winterbranch
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Dates: during 1970-1979
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Over one-fourth of the audience walked out on the opening night of the Boston Ballet's Fall, 1974 season. The reason: a performance of "Winterbranch," a work by avantgarde master Merce Cunningham...
Cunningham's dances are by no means characterless, either. Characters develop intrinsically within the framework of the dance rather than by external predefinition. Individual Cunningham works reflect a wide range of moods from the disturbing power of "Winterbranch" to the high-spirited kookiness of "Antic Meet" to the hints of loneliness and entrapment in "Place." Cunningham's work turns out to be not so much a denial of meaning as a trust in implicit meaning and in individual perception...
...activity in other U.S. companies, like the San Francisco Ballet, reflects the new enthusiasm for dance. There is wit behind the footwork of San Francisco's Alexander Filipov, who is yet another Kirov-trained dancer. Dramatic range, nervy dancing and a varied repertory -Giselle, Merce Cunningham's Winterbranch-place the Boston Ballet high on the list. Small wonder that subscriptions nearly tripled last year. The most important company outside of New York, however, is the Pennsylvania Ballet. The women are lithe; the ensemble work is solid. The clear, precisely articulated style of Principal Lawrence Rhodes (who moonlights with...
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