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...Star-Wagon (by Maxwell Anderson; Guthrie McClintic, producer). In the preface to his verse tragedy Winterset, Playwright Anderson announced his abiding belief in poetry for the stage, but prophesied that it would triumph only when "an age of reason will be followed by an age of faith in things unseen." The Star-Wagon makes at least as much claim: upon ''things unseen" as the ghostly Dutchmen for last season's High Tor, but observers, who found his last four plays marred by turgid dialog and prose which often bore only the typographical mask of verse, welcomed Playwright...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 11, 1937 | 10/11/1937 | See Source »

...author of Actor Meredith's last two successes, Winterset and High Tor, quickly soothed managerial feelings. "The Theatre," said Maxwell Anderson, shaggy, amiable and prolific poetic dramatist, "has lived by its wits during most of its history. It will continue to live by its wits and to be the most important American art. . . . Governments tax it, scalpers scalp it, unions hold it up, dramatists quarrel with producers, moving pictures devour its children as fast as they appear-and still our theatre is the centre of civilization in New York and in the United States and quite amazingly, the foremost...

Author: /time Magazine | Title: Theatre: Meat Show Meeting | 6/7/1937 | See Source »

...MacLeish (Conquistador, Frescoes for Mr. Rockefeller's City, Panic) had written it. Director Irving Reis of Columbia's Workshop of the Air had persuaded Orson Welles, one of the country's ablest classical actors, to take the leading role and that morning Burgess Meredith (High Tor, Winterset), the most promising juvenile on the U. S. stage, had walked in, asked for and been given a part. With notables waiting in the control room, with the 200 supers and actors standing by to go on the air, Bang! opened the Armory door and Whooash! entered two five...

Author: /time Magazine | Title: Theatre: Fall of the City | 4/19/1937 | See Source »

...almost every foot of available landscape is already familiar to cinemaddicts. Second most interesting fact is that all this apparently expensive panoramic authenticity cost RKO practically nothing. Michael Strogoff was originally made in both French and German by Producer Joseph Ermolieff. RKO's smart Producer Pandro Saul Berman (Winterset, Swing Time} bought the U. S. rights to the picture for $75,000, but instead of showing it with subtitles or dubbed-in sound, he proceeded to remake it in Hollywood. Directed by George Nicholls Jr., and supervised by Ermolieff, the parts made in Hollywood are so shrewdly interwoven...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 15, 1937 | 3/15/1937 | See Source »

...Winterset...

Author: /time Magazine | Title: Cinema: Bests | 12/28/1936 | See Source »

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