Word: wiseness
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Dates: during 1960-1969
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...best political sense and is the most widely admired of the three. He came up through the engineers corps -traditionally the army's "intellectual" branch-and has degrees in both law and engineering. He does not now appear to be pressing for leadership, but that could be a wise ploy rather than an indication of his ultimate goal. Were he to emerge too early as an aspirant to the presidency, he might not survive in Brazil's military-political jungle...
...different. Maybe so, but his premiere appearance did not exactly inundate the audience with originality. First there was Jackie "Moms" Mabley, an oldtime black comic of the Pigmeat Markham variety and hardly a nationwide favorite of the post-11:30 p.m. crowd. At the same time, Carson was cracking wise with Bob Hope, and Bishop was encouraging the Smothers Brothers to pour out their souls on camera. Moms was followed by a curiously subdued Woody Allen, Leslie Uggams, who is taking the Smotherses' place on CBS this fall and Hedy Lamarr. Pleasant personalities, but hardly show stoppers...
...black boy in the Kansas of the 1920s, Parks recollects the characters of his childhood as the sort of stereotypes that usually appear in elementary-school brotherhood pageants. Dad (Felix P. Nelson) is slow-witted, humble and loving and Mom (Estelle Evans) is a gentle, worldly-wise philosopher who works as a domestic. Newt (Kyle Johnson) is about as likely an adolescent hero as Andy Hardy, waking Mom up in the middle of the night and listening wide-eyed as she dispenses such homespun homilies as "This town ain't all a good place...
Likewise, New Yorker Music Critic Winthrop Sargeant attacked the suffix -wise, as in taxwise. He called it "a Madison Avenue locution which should be avoided by every civilized person." Author Basil Davenport grudgingly approved advise in the sense of notify. Even so, he ruled, it is permissible only "in business English and Army English, if there is any excuse for the existence of these bastard twins...
...makes Chulkaturin awkward without making him an embarrassing buffon, the greatest danger in such a characterization. For if Chulkaturin were a clown, his words, his perception, his ability to endure the "slings and arrows" could not possibly be convincing. When Huston smiles, it is the quiet smile, the wise and tolerant smile, that can appear only on the lips of the man who has known a bitter fate and has, ultimately, perceived the irony of it. He knows, quite well, that there is indeed another ending. JERALD R. GERST