Word: wiseness
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...scholarly types fell in love with these preoccupations: with his view of men as weak connivers and women as the wise life force; with the trickery of art (in his dark, delightful comedy The Magician); with his studies of sexual alienation (The Silence), his inside investigations of minds tumbling into madness (Through a Glass Darkly) or muteness (Persona); with his trips into the poignant past (Wild Strawberries); especially with his long battle with God, to which he devoted an entire trilogy. Bergman made anguish sexy, emotional neediness a turn-on. We had no reservation in naming him the world...
...undermined his reputation for fiscal responsibility by allowing his campaign's finances to crater, Clinton has proceeded with Hillarian equilibrium, carefully calibrating everything. Never saying too much--or very much at all. She still hasn't provided details of her promised universal health-insurance plan, and that may be wise. The public hasn't tuned...
...this point is a reflection of the cosmology of the Potterverse: there are no higher powers in residence there. The attic and the basement are empty. There may be an afterlife, and ghosts, but there is certainly no God, and no devil. There are also no immortal, all-wise elves, as in Tolkien, nor are there any mystical Maiar, which is what Gandalf was (what, you thought he was human? Genealogically speaking, he's closer to a balrog than he is to a man.) There is certainly no benevolent, paternal Aslan to turn up late in the book and fight...
...have known for a while that Voldemort cannot love, that he has been spiritually ruined by his parents' deaths, and he will kill anyone to stave off his own death. Harry, though also an orphan, has found the courage to love. "Do not pity the dead, Harry," a wise man tells Harry in Deathly Hallows. "Pity the living, and, above all, those who live without love." Characterologically speaking, the greatest question that remains in Hallows might be whether Harry can do this - that is, whether Harry can find it in himself to pity the man who killed his parents...
...Rowling makes a more subtle point, it's this. Throughout the series Harry has had to confront and forgive an apparently endless series of fathers and father-figures. It's a wise child that truly knows his father, and Harry has had to gain that wisdom again and again. Learning about and accepting James's and Sirius's flaws - their arrogance, their cruelty towards Snape - was a crucial part of growing up for Harry, and in Deathly Hallows he must go through the process again, with a father-figure more important than his actual father, namely Dumbledore himself...