Word: wises
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Dates: during 1950-1959
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...think you owe the community an apology for the uncalled-for ruckus you have stirred up. You may be wise in Dogpatch, Mr. Capp; but your letter has shown that you are not at all wise in Massachusetts. Yours, CALDWELL TITCOMB
...daytime performance). Hays is not afraid to keep many of his light levels low, which is right since so much of the play takes place either at night or under dark clouds. Macbeth's hallucinatory ghosts at the banquet are effected entirely by lighting: this is also a wise decision, for Banquo (and then Duncan?) should no more walk in and sit down at the table here than should an actual dagger be lowered from the ceiling in an earlier scene...
...foot, switched to a motorcycle, hopped a plane from Croydon to Le Touquet, on the English Channel, then ran most of the 135 miles to Paris, sipping fruit juice and munching grass along the way. One competitor used souped-up power lawnmowers to and from his plane; another, wise to the ways of city traffic, tried roller skates, but did not do too well. Ace Racer Stirling Moss hopped into a Renault-Dauphine, roared out to the airport, put his car on a Silver City Airways "carferry," landed at Le Bourget and zipped into Paris...
Swiss pineapple cheese cream scarcely sounds like a dish designed to go with German Schinken und Kartoffel. But, forewarned by trade journals, wise West German grocers are busily stocking up on the ingredients. After Clemens Wilmenrod, Der Fernsehkoch (The Television Cook), tells the Hausfrauen how to make it, Swiss cream is sure to be a favorite dessert-and Clemens plans to pass the word soon. The balding, Menjou-mustached, ample-jowled Fernsehkoch last week was well into his seventh year on the air, with the oldest and most popular show on West German...
That fact alone makes Tokyo's spanking new National Museum of Western Art architectural news of the first magnitude, since it reaches so hard for perfection. Based on sketches by France's owl-wise, owl-grouchy Le Corbusier, the museum was completed by three Japanese architects who had studied with the master in the 1930s. It uses concrete, tile, French glass and Philippine teakwood to create a more finished and refined atmosphere than Le Corbusier himself enjoys. Otherwise, it faithfully represents his solutions to the two great problems of museum architecture: display" and lighting...