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...technology. Although shot entirely with handheld cameras, “Diary” is presented as a polished film-within-a-film. Romero forgoes the hyperrealist tone of recent horror film “Cloverfield” and cult classic “The Blair Witch Project” by editing together shots from multiple sources such as cell phones and security cameras. Those who walked out of “Cloverfield” with a migraine have little to worry about here; the “shaky cam” elements are much more subdued. Romero also uses...

Author: By Bram A. Strochlic, CONTRIBUTING WRITER | Title: Diary of the Dead | 2/15/2008 | See Source »

What a brilliant bluff the Republicans have been acting out these past couple of years! It's like the elaborate hoax in the movie The Sting. They had us convinced that their nominating process was some version of the Salem witch trials, testing the candidates for any sign of heresy and hanging or drowning the ones who flunked. Then they choose the very guy many Republicans most suspect of being a witch. If you doubt that the whole thing was staged, just consider who the runner-up was. How could a party truly dedicated to self-destruction through ideological purity...

Author: /time Magazine | Title: Why Liberals Love McCain | 2/14/2008 | See Source »

...cake. At Sprinkles Custom Cakes in Winter Park, Fla., Larry Bach has been getting requests for his upside-down wedding cake with the bride or groom's legs sticking out at the bottom as if the cake had crashed down on the figure la the Wicked Witch of the East...

Author: /time Magazine | Title: Bye Bye, Love | 1/31/2008 | See Source »

...movie is shot in the same shaky-cam, amateur-video style as The Blair Witch Project, and like Blair Witch, it has a star-free cast. The film purports to be a record of what happens to a group of average twenty-somethings on the night a massive creature attacks New York City. It features shrieking, running, cleavage, the severed head of the Statue of Liberty (a nod to two postapocalyptic classics at once, Planet of the Apes and Escape from New York) and a giant monster (the number of horns wasn't available at press time) shouldering...

Author: /time Magazine | Title: Apocalypse New | 1/17/2008 | See Source »

Much of Cloverfield's visceral force comes from its use of handheld cameras. By the time Blair Witch was made, unstabilized amateur footage was already visual shorthand for disaster, the vernacular of the apocalypse?think of the Zapruder film or the footage of Rodney King being beaten. And that was long before Sept. 11 and YouTube. Grainy, unstabilized footage gives us a sense that what we're watching is real?that the hand brake is off, that we won't be protected by the bland, safe conventions of a studio movie. "I felt like there...

Author: /time Magazine | Title: Apocalypse New | 1/17/2008 | See Source »

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