Word: withe
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Dates: during 1950-1959
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The new production as a whole was less exciting. German Tenor Karl Liebl, substituting as Tristan for the ailing Ramon Vinay, had neither stage presence nor the power to match the Nilsson salvos. Baritone Walter Cassel as Kurvenal and Bass Jerome Hines as King Mark both turned in workmanlike performances...
Soprano Nilsson's career has gathered slow momentum over the last decade. Born on a 'Swedish farm, she was still plowing fields when she was 18 ("My parents wanted I should be a good farmer") and singing in the local Lutheran church choir. Then a neighboring choirmaster started...
The long-awaited score proved to be typical Orff, avoiding such devices as standard harmonic progressions or even the modern "tone row." Instead, it sustained for page after page a single chordal theme, varied only with starkly primitive rhythm in the orchestra and percussion-punctuated declamation by the singers. The...
Roar of Agony. Without overture or curtain, the opera opened with Oedipus singing expository lines of 69 German syllables, every one of them on middle C. The orchestra then established the only genuine motif in the entire work-a rapid, stepwise up-and-down flourish that occurred again and again...
In the final scene the audience was deeply moved by Oedipus (Tenor Gerhard Stolze) staggering onstage before Designer Caspar Neher's abstract backdrop (it looked like a microphotograph of a germ culture) and raising his sightless eyes with a beatific smile. Soprano Varnay refused to watch from the wings...