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Islamic art, as in many other religious traditions, has historically been conscious of its inseparability from the divine, a sentiment that continues to operate within the on-campus Islamic community...
...Sacred Spaces: A Journey with the Sufis of the Indus,”—the pieces on view portray the multiplicity found in Sufi traditions. “This book and exhibition is a personal and artistic act of resistance against those forces both within Islam and outside of it that seek to deny such nuances, to silence the voices of mystics, and to distill the diversity of Islamic piety into something essential, unitary, and uniform,” Quraeshi said in her speech at the opening of “Sacred Spaces...
...untimely death this past June, an earnest correspondent ventured into the late singer’s vacant Neverland ranch to conduct an exclusive tour. While detailing the hard-hitting intricacies of Jackson’s bedroom door, a slim shadow appeared briefly, appearing to cross the corridor before disappearing. Within hours, reports surfaced that CNN had possibly captured footage of the ghost of Michael Jackson. Though the hasty hypothesis was certainly an outlandish one, it seemed to pale in comparison to the host of bizarre tales that had swirled about the eccentric entertainer for most of his life...
...opens tonight and runs through November 7 at the Loeb Experimental Theater, tells the story of that infamous character for whom the term “sadism” was coined, the Marquis de Sade, and his internment at the Charenton Asylum shortly after the French Revolution. A play within a play, the show aims to combine its two settings—revolutionary Paris and an asylum fifteen years later—with an emphasis on the similarities between the seemingly disparate conditions...
...story is partially based on true events. In the early 19th century, Sade was indeed imprisoned in Charenton, where he staged performances using other inmates as actors. The play within “Marat/Sade” focuses on just one of these stagings: Charlotte Corday’s murder of Jean-Paul Marat at the height of the French Revolution’s political terror...