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...Perlman, and is expected to eat up the innings that were once the domain of Shawn Haviland ’08. In fact, Hulse will literally put on the same jersey—No. 22—that Haviland wore a year ago. Haviland is now beginning his career within the Oakland Athletics organization, while Hulse looks to help the Harvard baseball team forget the disaster that was the 2008 season...
...Godfather” or even “Goodfellas.” Visually speaking, the movie is bleak and almost completely devoid of entertainment for entertainment’s sake. Many of the movie’s scenes take place in the bombed-out public housing high rises within the city’s notorious suburbs, where drug dealers openly conduct business and warfare even when the cameras have stopped rolling. While the context of the movie is probably a little removed from American audiences, the plots are fairly straightforward and not overly reliant upon dialogue or character development...
...economic crisis extends beyond the borders of the United States. “These articles are just one step forward in reforming the system,” Owen added. The review’s second launch party of the year, the event was designed to promote the publication within the Harvard community. While the HIR is distributed worldwide, the review has a relatively low profile on campus, said Barron. “We’re really trying to increase our presence on Harvard’s campus,” he said. “It?...
Watching those games is also great prep for picking winners. There are so many different criteria proposed by experts that they often contradict each other in the end. So go with your gut. Pick teams you root for to win, within reason, while predicting teams you don’t like to lose earlier than expected. (Duke has lost to a lower seed every year since 2004 hahaha). Most importantly, be pumped. This is sports utopia...
...technical facility, but his command of a remarkably flexible tonal palette deserved the most attention. The preludes, which became an amalgam of musical reflections under Lang’s touch, proved that while Lang sometimes employs frivolous shows of technique to draw in his audience, the thought and soul within his playing truly captivates listeners. With the crowd already coming to its feet, Lang jumped into Chopin’s “Heroique” Polonaise No. 6 in A-flat Major, his final number. The treacherous double thirds at the beginning were no obstacle to the pianist...