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Dollhouse is my usual sort of hybrid. But I would call it a thriller, or a drama, before anything else. It's very much a story about this girl's attempt to reclaim her identity, inside of an organization that would perhaps prefer she be stopped. But then within that, because she takes on a different personality every week, there are all sorts of adventures. There's one that's like a whodunit, there's one that's like a caper, there's one that's like a horror movie. We can bounce around...

Author: /time Magazine | Title: Q&A: Joss Whedon, creator of Dollhouse | 2/13/2009 | See Source »

...following years, Chávez has worked within the system and eventually accessed power democratically in 1998, mainly supported by the urban lower classes. During his decade in power, he has made Venezuela a stronghold of anti-Americanism and political radicalism. A visionary critic of the Washington Consensus, he initially pledged to end Venezuelan inequality. After nationalizing oil contracts in the country and forcing out foreign investors, he has used the money for lavish projects in Venezuela that have bought him unprecedented support...

Author: By Pierpaolo Barbieri | Title: Voting Democracy Away | 2/13/2009 | See Source »

...Fairey made a series of prints depicting then presidential hopeful Barack Obama in shades of red, white, and blue with the word “Progress” printed below him as an expression of Fairey’s support for the candidate. Within days, posters had spread all over the internet and the streets. The Obama campaign soon contacted Fairey about making the image an official art of the campaign and changing its tagline from “PROGRESS” to “HOPE...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...Within the narrow confines of the Neil L. and Angelica Zander Rudenstine Gallery, the scenes of rage, shame, and transcendence captured by late photographer Rotimi Fani-Kayode seek to overcome conventions. The provocative images of “Rotimi Fani-Kayode (1955-1989)”, an exhibit hosted by the W.E.B. Du Bois Institute for African and African American Research, engulf and overwhelm with the impact of shamanic vision.Rotimi Fani-Kayode was a conflicted man. He describes himself as an “outsider on three counts: in matters of sexuality; in terms of geographical and cultural dislocation...

Author: By Mark A. Fusunyan, CONTRIBUTING WRITER | Title: Sprituality, Sexuality in Rotmi Fani-Kayode Exhibit | 2/12/2009 | See Source »

...Israel is under a dual terrorist attack, from within and from without. And terrorism from within is always more dangerous than terrorism from without." (Associated Press, February...

Author: /time Magazine | Title: Avigdor Lieberman | 2/12/2009 | See Source »

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