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...hard for you to understand the nostalgia many Americans feel for a reasonable return to the culture of small-town America-to its appreciation of education, traditional arts, the work ethic, hunting, community spirit and moderate churchgoing? Moderation and mutual cooperation within the international ?community are what we so desperately need in the U.S. That is the change that John McCain and Palin would bring. Jim Clemons, Fredericksburg, Virginia...
...Tory RisingIn her profile of british conservative leader David Cameron, Catherine Meyer failed to note that the United Kingdom is effectively governed by the European Union in that about 70% of the laws enacted by our Parliament are required to comply with E.U. regulations. Within a few years, after the provisions of the Lisbon Treaty are progressively brought into effect, our subordination to the E.U. will be complete. Regrettably, that final outcome accords with the Conservative Party's consistent policy since the Prime Ministership of Edward Heath, who took Britain into the European Economic Community in 1973. The Conservatives have...
...Pope? With Bacon there's never one answer. His great gift was for conflation, visual and psychological, for compressing multiple possibilities into a single sliding form. From a 19th century photograph by Eadweard Muybridge he could take the squatting silhouette of a man and dissolve it within the outlines of a crouching boy attributed to Michelangelo. He could borrow the eyeglasses from a famous shot of a screaming nurse in Sergei Eisenstein's Battleship Potemkin and perch them on a Pope's nose. In the same way, the meaning of his screaming Pontiff in Head VI fluctuates. Trapped...
...Bacon's 1971 Paris retrospective. With a picture like Triptych - August 1972 Bacon didn't simply unload his grief. He used it to find his way to an even starker abbreviation of a pitiless world. All through the '70s Bacon would flatten and simplify the spaces within which he put his liquid people. That made those places even colder and more clinical, and set off more sharply the wide passages of black he used as the threshold of mortality...
...idioms of despair. There are cluttered, over-determined pictures in the last galleries, where you watch him trying to find a way to make it new. But there are also great ones, like the 1991 Triptych. In all three panels, a large black square is placed like a window within a flat, beige background. In the center, a figure barely recognizable as human flows over the lower edge of the black square. On each side panel, Bacon appears as a painted photograph of his own head pinned to the space above a pair of disembodied legs. Each of these...