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With “Lalibela” and “Jamelia,” Caribou gives up completely and returns to his more airy roots, and the songs are better for it. The former, in particular, uses swelling, melancholic synthesizers and delicately whispered vocals to haunting effect. While ?...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

Or rather, it tries to be. “Odessa” is perhaps the best thing Caribou has ever released—a throbbing, dubstep-inflected track whose breathy vocals float over a bed of fluid bass and punchy, off-kilter percussion. And the two tracks that follow it...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

The combination of genres sounds promising. With the three opening tracks of “Swim,” Caribou shows he can do dance. And he’s proven with remarkable consistency over a decade of music-making that he can do ambient electronica. But somehow, when those...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

“Leave House” wanders through tweeting woodwinds and sinusoidal synths without any apparent destination in mind. “Bowls” switches genre halfway through, starting with an intriguing but uninspired wash of strings and chiming percussion before segueing into a fairly standard dancefloor-filling...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Caribou | 4/20/2010 | See Source »

Thus, a project that initially began in 2007 with the distribution of 25,000 notes in the southern state of Tamil Nadu “met with such high demand” that 5th Pillar has now given out close to one million notes and is expanding the program from...

Author: By Ravi N. Mulani | Title: ‘I Will Give You Nothing for That’ | 4/20/2010 | See Source »

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