Word: without
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Dates: during 1930-1939
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...charge that I traveled, years ago, under pseudonyms, it will really be interesting when it is disclosed how many highly respected business men, jurists and statesmen have similarly traveled without ever having any action taken against them...
...present ruling is founded on a false principle. It assumes that a man taking courses in a subject remotely connected with his own field of concentration will automatically correlate the two fields. In a majority of cases this is impossible without the extra impetus of tutorial, examinations, or written papers combining both subjects. Without such assistance he is very apt to consider the courses merely as two completely unrelated entities. Evidently the division thinks it has solved the problem of correlation by making sure that a concentrator understands one of two particular methods outside his field. Actually he is only...
...still inclines to a tradition of "pure" liberal arts, devoid of much practical application. But long ago colleges realized each subject can grow only in its own medium, that to write drama for an English composition course--and yet keep it divorced from the stage--is like reading chemistry without carrying on laboratory experiments. Playwrights like Sidney Howard, Eugene O'Neill and Philip Barry thrived under Professor Baker because the workshop tested their lines through informal productions and moulded them into shape; the designers and artists translated their sets and costumes from empty drawings to reality. Each phase developed with...
Refusing to believe that Harvard must always be without a School of Dramatic Arts, undergraduates vaguely hope for the time when a complete unit comprising stage, shops, and class-rooms will grace the College. In the meantime, concrete steps can easily be taken. Through a composition course in playwriting, undergraduates could test their work in collaboration with the Dramatic Club and produce informally for their own practice and self-criticism. Another course, devoted to acting, might correlate all the odds and ends of drama now spread over the English Department. A third, given by the Fine Arts Department, would concentrate...
...last quarter, when it was the Elis turn to benefit by the wind, they stormed the Harvard not with a vengeance. But the efficient work of the backs, led by Al Merck and goalie Joe Phelan, held the desperate Blue team without a score...