Word: without
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Dates: during 2010-2019
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...came from.” Striking a fantastic, wistful, and yet powerful tone, Wainwright here describes a kind of loss that avoids the lure of saccharine self-pity. His imagery, of an earth “lumbering on” and of galactic dreams, is sweet and clear without being cloying. After a brief and discordant piano part, Wainwright ends the song by belting, “I truly loved / Which is harder to do, yes it’s harder to do / Yes it’s harder, harder, harder, to do / Than to dream...
...that vilifies writers like these, it goes without saying that defenders of plagiarists are few and far between. Few, for instance, would dare defend a writer like Kaavya Viswanathan ’08, whose novel—“How Opal Mehta Got Kissed, Got Wild, and Got a Life”—borrows more than just a few words from several previously published books. Few, that is, except for David Shields, who, in “Reality Hunger,” maintains that Viswanathan must be considered an artist precisely because?...
...talk show host is asked to fulfill the difficult function of flavor enhancer: he (or she) must make even the most dreadfully boring of guests look good, keeping the interview funny without taking over the spotlight. What brings the job to a complexity far beyond that of daytime interviewers is that the result is expected to be consistently hilarious, not just mildly amusing to a few hundred thousand viewers who haven’t had their coffee yet. This balancing act requires no less than a profound bond with the audience: the host must be eminently likeable...
...some departments lacking TFs, but there should be a stream of potential TFs who are willing to take the course as a prerequisite to their teaching positions, thus lessening the chances of a TF shortage. Perhaps previous graduate students who were discouraged by the prospect of teaching a class without a solid grasp of the English language and American culture would be more likely to apply to be a TF, knowing they would receive support and training from such a class...
Perhaps the least disappointing of the three artists was Park, if only because expectations for him were so much lower. Park was an inoffensive and unexciting choice, and his late afternoon performance lived up to this billing. He has a pleasant voice, capable of conveying emotion without straining his voice to cloying effect. Standing alone on the stage, his unaccompanied guitar and vocals eased through a set of consistent and perfectly acceptable tracks. Nothing in particular stood out, and the only moment when the crowd truly became engaged was when CEB members rather disrespectfully started throwing out T-shirts...