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...Abiding Citizen,” Jamie Foxx peers into Gerard Butler’s jail cell and asks him how his family would feel about the crimes he has committed. “My wife and daughter can’t feel anything,” Butler replies without missing a beat. “They’re dead.” Believe it or not, this is the film at its most profound. “Law Abiding Citizen” aspires to be a smart thriller akin to director F. Gary Gray’s last...
...joked with his Gentile buddies just before crashing the musician’s set (casually concealing the fact that he himself was just such an oddity). With this potent blend of self-deprecation and arrogance, Dylan has managed to keep us laughing at his jokes without quite grasping the crux of the punchline for decades, making his latest musical endeavor, an album of holiday standards entitled “Christmas in the Heart,” just as puzzling as it is entertaining. Nostalgic descriptions, like on “Silver Bells,” of how Christmas...
...encourage a generation of kids to grow up—as my mother might say—“effing” this and “essing” that, if only because that would be extremely unsettling. But in other countries, broadcast standards are more lax, without any evidence of a nationwide epidemic of depravity. In the United Kingdom, broadcasters must observe a similarly aquatic “watershed” time, from 9 p.m. to 5:30 a.m., but they’re not nearly so demure about it. There are popular British programs chock-full...
...skittering ADD drums. “Rain on Lake I’m Swimming In” is a wash of echoed, harmonized bass melody underneath whimsical, indecipherable processed vocals. Both of these tracks show a marked deviation from the duo’s relentless riffage without sacrificing their signature sound...
...Without comprehensible lyrics, the entire album relies heavily on its musical originality to justify its artistic endeavor, taking a risk with highly artificial melodies and voice tracks. “Youth Tunes” initiates the record with a synthesizer and a staccato guitar rhythm, while an odd, indiscernible voice warbles in the background and the guitar strums become progressively more ravaging. “Imaginary Friends” insists on an innocent nostalgia with its lilting yet pressing “oh’s,” attempting to pass off its gibberish as distinguishable lyrics...