Word: witness
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...blood is drunk in lieu of wine, and when some woman with a sanitary napkin hooked up over her clothing, leaping about, stomps up and down on a box of Kotex. It's all rather artsy, but in the end there's too much fake blood and not enough wit...
Less impressive are the Adolph Green and Betty Comden Iyrics, which are more often predictable than clever. The two lyricists do sometimes scale the heights of wit, as in Ruth's comic lament "A Sure Way to Lose a Man (One Hundred Easy Ways)" in which she sings...
...north. In the end, they decided to stay in Lisbon to show they were not afraid, but they did pass a motion allowing them to meet anywhere in the country if conditions warrant. Disgruntled businessmen bitterly joked that Portugal has become a "country under self-management," and one wit painted a slogan on a Lisbon wall reading: "Anarchy, yes, but not so much...
...only way to survive at all is through laughter. This philosophy has been carried through the centuries by the likes of Chaucer, Sheridan, Twain and Beerbohm. For the past fifty years the cartoonists in The New Yorker have espoused it, and have presented our frailties to us with wit, grace and, most of all, total disrespect for the supposed importance of our lives...
...having her characters converse in Yiddish where appropriate, and translating the conversation with subtitles. And while such classic Yiddishisms as "You vont that I should... "remain, they sound thoroughly plausible within the greater framework of this film. Mrs. Kavarsky is the film's greatest source of acerbic Yiddish wit, with such comments as "You can't pee up my back and make me think it's rain." She is the archetypal yente, always offering advice and sticking her nose in her neighbors' affairs. In spite of this, she remains a likeable character. As much as she pries into others' business...